A little help finding your next step

What are you working on?

A few good places to start.

Start hereWhat is a podcast?A plain-English definition: episodes, the RSS feed, subscriptions and how a podcast differs from a video or a radio show.Start hereA short history of podcastingFrom RSS enclosures in 2000 to iTunes support in 2005, the long quiet years, Serial and the video-podcast era.Start hereSeven reasons to create your own podcastWhy people start shows: expertise, community, a voice, teaching, business, creative practice and long-lived archives.PlanHow to podcast: the four PsThe whole process in four stages: plan, produce, publish and promote. Start here if you want the map before the steps.

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Produce

GUIDE 06 OF 17

Basic podcasting gear

The microphone, headphones, stand and interface you actually need, from a free starter kit to a two-person setup.

Updated

You can start a podcast with the phone in your pocket. When you’re ready to sound better, a few pieces of gear make a big difference, and the rest is optional. Here is what matters, in order.

1. A microphone

Your microphone is the one piece of gear worth spending on. Two choices matter.

USB or XLR?

USB microphoneXLR microphone
Connects toYour computer, directlyAn audio interface or mixer, which connects to the computer
Best forSolo hosts and beginnersTwo or more people in one room; upgrading later
CostOne purchaseMicrophone plus interface and cable

Many podcast microphones offer both USB and XLR outputs, which is a good way to start simple and keep an upgrade path.

Dynamic or condenser?

Dynamic microphones pick up sound mostly from close up, so they hear less of your room. They’re the safer choice for untreated rooms. Condenser microphones are more sensitive and detailed, but they also capture echo, keyboard clicks and traffic. In a typical home, choose a dynamic mic.

2. Headphones

Wear closed-back headphones while you record and edit. They let you hear problems (hum, clipping, plosives) as they happen and stop sound leaking back into the microphone. Avoid wireless earbuds while recording: their delay makes it hard to monitor yourself.

3. A stand and a pop filter

  • A desk stand or boom arm keeps the microphone at a steady distance and away from desk thumps.
  • A pop filter or foam windscreen softens the bursts of air from “p” and “b” sounds.
  • A shock mount isolates the mic from vibrations; useful on a desk you type on.

4. An audio interface (for XLR mics)

An interface turns an XLR microphone’s signal into digital audio for your computer and powers condenser microphones (phantom power). For two people in one room, a two-input interface lets you record each voice on its own track, which makes editing far easier.

Sample kits

KitWhat’s in it
Free starterYour phone’s voice memo app or a wired headset mic, in a closet full of clothes
Solo hostA dynamic USB/XLR microphone, closed-back headphones, a desk stand and foam windscreen
Two in one roomTwo dynamic XLR microphones, a two-input USB interface, two pairs of headphones and a headphone splitter or amp, two boom arms
Remote interviewsThe solo kit for you; ask guests to use wired earphones with a mic, or their own USB mic

Spend in this order: room treatment (often free), microphone, headphones, everything else. A great mic in an echoey room still sounds echoey.

Next, choose the software to record and edit with.